Project Runway US Season 11 Episode 15 PUTLOCKER Video

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Genre: Reality-TV, Fashion/Make-up
Episode Name: Reunion
Air date: 5/2/2013
Summary: Guys, did you know that Project Runway is on tonight? Yeah, I know. I almost forgot too. The 10th season premiere was last Thursday night on Lifetime. Yeah, I didn’t catch it either. And, for the first time ever, I’m not going to watch this season. What the hell happened to Project Runway?

Let’s preface this by saying that I used to be a huge fan of the show. I wrote a glowing review of the first episode ever (back when no one was watching) for the newspaper where I worked at the time. I spread the word of my favorite new reality show like I was Tom Cruise selling Scientology. There was something about the characters on the show, the novelty of seeing them make outstanding things in no time at all with no money, and watching very skilled and talented people do something that I could never imagine myself doing. After getting myself and my friends hooked, we threw parties, talked about the show at great length (perhaps too great), and I even sent detailed emails to close friends on Friday mornings breaking down how I felt about each episode.

And the rest of America slowly caught on too. Runway was on the cover of magazines. Tim Gunn was a household name with a book deal and his own spin-off. Heidi Klum reinvented herself in a new role. Michael Kors was known for something other than selling all his gear at Marshalls (and that something else was a tangerine hue that is not found in nature). Companies were rushing to sponsor challenges on the show, countless sites were writing recaps, and the fans were clamoring for more, more, more. And now? Nothing. The ratings are holding steady at 3 million viewers which is good for cable and about on par with the final Bravo season (which some claimed the network failed to promote because it knew it was losing the franchise), but even if people are watching, it doesn’t have the heat that it once did.

Sure, Heidi Klum naked in a pile of scissors (ouch!) is on every bus and phone booth in New York, but Anna Wintour and the staff at Vogue doesn’t care anymore. The magazine profiles and editorials have dried up. The recaps have ceased and no one (at least that I know off, among my large group of once-rabid fans) is congregating to watch the show. No one seems to care.

So, what exactly happened? There are other greying reality shows (Survivor, American Idol, Top Chef) that show no signs of losing their cultural relevance like Runway has. Here are a few reasons why I’m over the show.

Moving to Lifetime: Now, this is has nothing to do with the fact that I think that Bravo, the network that originally aired the show, is somehow better than Lifetime. I’ll watch a good show no matter what channel it is on. The problem was that, because of a lawsuit that Bravo waged against The Weinstein Group (who produces the show) the first season of Runway on Lifetime was moved to L.A. and rushed into production. The talent was shoddy, the new production company was unsure of what they were doing and the whole thing suffered. While the season debuted to record ratings the audience slowly trickled away (rare for a reality show, which usually peaks near the finale). Lifetime failed to prove itself with a shoddy, rushed season and people stayed away for good.

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Genre: Comedy
Episode Name: The Proton Resurgence
Air date: 5/2/2013
Summary:Sheldon and Leonard hire Professor Proton, the host of their favorite childhood TV show, to perform. Also, Howard and Bernadette run into trouble babysitting Raj’s dog.

In this week’s episode of The Big Bang Theory, Sheldon and Amy deal with his need for closure, Penny tries to get excited about Buffy the Vampire Slayer, and Raj tries to butch it up. In other words, this is an episode about people trying to change something deeply ingrained into who they are and failing absolutely spectacularly.

First we have Sheldon, who finds out that Alphas has been canceled, and what’s more, it ended on a cliffhanger. We’ve all been there, I’m sure, but the problem is worse for Sheldon who can’t even stand to not complete his door-knocking, much less not know what happens after the disastrous scenario in which Alphas ended. (And can I just say… obscure!)

Amy decides to try to help him out by conditioning him to accept life without resolution and hands up, who here over-related to him just not being able to handle it? Particularly at the end, when he gets his closure and all but passes out with relief. My hand is in the air and I’m guessing a few of yours are as well.

Meanwhile, Raj decides to butch it up after stalking his girlfriend online and finding that she had referred to him as feminine. His solution to this seems to involve wearing a hockey jersey and serving frozen burritos for dinner, and I laughed a truly ridiculous amount because I completely believe that that is what Raj thinks masculinity comprises. Naturally, it also fails, but luckily she doesn’t mind his lack of traditional masculinity, and in fact it’s one of the things she really likes about him. I think I’m slowly coming around to liking her.

Elsewhere, Leonard shows up at Penny’s apartment at six in the morning trying to get her to watch Buffy the Vampire Slayer, and…well, we’ve all been there, am I right? And I have to tell you, I was a little surprised that Penny didn’t love it because if there were anything in the geeky world I’d have guessed she could get into, it would be Buffy. It’s a show about a girl who kicks ass while trying to have a dating life and quipping, “If the apocalypse comes, beep me.” I mean, come on, what’s not to love about that, regardless of geek status?

Sadly, Penny is unable to get into it. Although to be fair, it’s less the show’s fault and more Penny realizing that she’s not passionate about anything. She and Bernadette talk it over and Penny realizes that her passion is her life and the people in it. It’s a little sappy but after all Leonard and Penny have been through and how far back she’s stood from their relationship, it’s nice to see her being the invested one for a change. Now if only I could reach through the screen and chastise Leonard for starting her with season one. Bad idea! Everyone knows you entice a newbie with the musical and then start them at the beginning! (I kid, I kid…mostly.)

So Sheldon doesn’t overcome his need for closure, Raj doesn’t succeed in his plan to be hyper-masculine, and Leonard fails in getting Penny into Buffy. And that’s fine, because we love Sheldon’s inability to leave things unfinished, and Raj’s passion for skincare, and even Penny’s dispassionate voice of reason. This is definitely one of the funnier (not to mention geekier) episodes of the season and I really enjoyed it.

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Genre: Comedy, Musical
Episode Name: Big Time Invasion
Air date: 5/2/2013
Summary: The boys try to stop the invasion of a British boy band; the boys hire a manager to help Gustavo; a rift forms between the band members.

Nickelodeon’s hit live-action comedy series Big Time Rush kicks off season four on Thursday, May 2, at 8 p.m. (ET/PT). Created by Scott Fellows (Ned’s Declassified School Survival Guide) and produced in partnership with Sony Music, this season finds best friends Kendall Schmidt, James Maslow, Carlos Pena and Logan Henderson, recording music for their third studio album and preparing for the launch of their next world tour. The guys quickly discover that the music landscape has become more competitive and the pressure to stay relevant proves tougher than ever. Big Time Rush airs regularly Thursdays at 8 p.m.

Recording artist Gavin DeGraw joins Big Time Rush during the season premiere, “Big Time Invasion,” where the guys must stop the invasion of a British boy band. Concerned that Gustavo is spread too thin, they try to hire a top music manager and when they are unable to agree, a rift quickly escalates within the band.

Big Time Rush is set to release their highly anticipated third album, 24/seven, in June. The release will feature “Like Nobody’s Around,” as well as brand-new music which will appear on the upcoming season of the show. The band will perform tracks from 24/seven when they hit the road on their “Summer Break Tour” with Victoria Justice . The tour kicks off June 21 in Los Angeles and will stop in over 38 cities across the U.S. For more information on the tour,

Now available on the Nick App (free on iTunes), Pena is producing “On the Road with BTR,” a docu-reality series giving kids an inside look into the lives of Big Time Rush. For all other exclusive behind-the-scenes moments, cast interviews, and latest Big Time Rush

Sony Music Entertainment is a global recorded music company with a current roster that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including Arista Nashville, Beach Street Records, Bystorm Entertainment, Columbia Nashville, Columbia Records, Day 1, Epic Records, Essential Records, Flicker Records, Kemosabe Records, Legacy Recordings, MASTERWORKS, Polo Grounds, RCA Inspiration, RCA Nashville, RCA Records, Reunion Records, Roc Nation, Sony Classical, Sony Music Latin, Star Time International, Syco Music, Vested in Culture and Volcano. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.

Nickelodeon, now in its 34th year, is the number-one entertainment brand for kids. It has Built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, online, recreation, books and feature films. Nickelodeon’s U.S. television network is seen in almost 100 million households and has been the number-one-rated basic cable network for 18 consecutive years. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc.

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Genre: Drama, Thriller
Episode Name: Entrée
Air date: 5/2/2013
Summary: Jack & Alana are contacted by a former colleague, Dr. Chilton, who believes he has The Chesapeake Ripper in custody, but then one of his patients commits a murder that matches The Ripper’s profile. The team determines the Ripper was a surgeon and is still at large when Jack’s former protege Miriam becomes the next victim. Jack copes with her loss and the prospect of losing his wife by opening-up to Hannibal.

Obviously, the big news surrounding Hannibal this week was the announcement that NBC and Bryan Fuller had made the decision to pull the fourth episode ‘Ceuf’ due to sensitivity regarding some of the serial killer content involving Molly Shannon, which, from what has been revealed of the episode, concerns the killing of children by children.

Whatever your thoughts on the decision to pull the episode may be, what is done is done, and while parts are missing, it doesn’t appear to have derailed the series. Thankfully, if you are a fan of the series and you’ve been following it, hopefully you’ve either managed to scrounge up a copy of the episode online, or you’ve gone over to NBC’s website and taken a look at the six-episode webseries they’ve made with “cannibalized” segments from the episode.

What’s telling about the elements in the webseries is how well the character elements – or the bits that are actually necessary to the overall plot and continuation of Hannibal, as it pertains to the characters – manage to separate themselves from the particular plot of ‘Ceuf’ that led to its being ostensibly booted out of the season’s rotation. Without eating up too much space to talk about ‘Coquilles,’ what the previous episode managed to do so well was lay the groundwork for Hannibal’s manipulation of Abigail Hobbs, as well establish just how affected Will Graham has been by the images he’s confronted with while hunting the grisly serial killers from week-to-week.

Of course, Abigail Hobbs is nowhere to be found in ‘Coquilles’; a nice fact that allows for a more undivided examination of Will and, in this particular case, Jack Crawford and his wife Phyllis (played by the excellent Gina Torres of ‘Firefly‘ and ‘Suits’ fame), and grants the Hobbs/Lecter dynamic some time to breathe and not feel so rushed. Furthermore, in the absence of Hannibal’s machinations with the young woman, ‘Coquilles’ brings the focus back to Will and, more pointedly, the efforts that Hannibal is seemingly undertaking to “alienate” Will from Jack.

From the beginning, Hannibal has shown an incredible ability to portray the grisly details of serial killers and, more importantly, the ramifications of their crimes, both in terms of their victims and the people who’ve devoted their lives to investigating and stopping these killers. One of, if not the clearest example of this was established early on as the battle for Will’s mind – both his unique ability and his sanity – kicked the series off, and ever since the violent conclusion to the Minnesota Shrike case, Will’s already fragile psyche has begun to collapse under the strain.

“I don’t know how much longer I can be all that useful to you, Jack,” Will tells Crawford after they find, but fail to apprehend the Angelmaker, a man suffering from a brain tumor that has him killing and arranging his victims like angels by transforming the skin on their backs into figurative wings. It’s gruesome stuff to be sure, but rather than simply focus on the ghastly state of the Angelmaker’s victims, the episode bluntly points out how damaging looking at this stuff can actually be. “This is bad for me,” Will says, as he’s caught between doing what’s right and doing what’s right for him.


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Genre: Comedy, Drama, Music
Episode Name: Wonder-Ful
Air date: 5/2/2013
Summary: The members of New Directions take on the greatest hits of music icon Stevie Wonder. Then, Artie (Kevin McHale) receives news that could affect his and his mom’s (guest star Katey Sagal) future. Meanwhile in New York, Rachel prepares for her “Funny Girl” callback. Kate Hudson guest-stars.

“Lights Out,” an episode written by Ryan Murphy, is a super fun episode of Glee, and brings us one of the best musical numbers of this season. Check out the full recap for Glee season 4 episode 20 Lights Out.

Mr. Schue informs the glee club that they are going to have some serious competition in the form of American Idol’s Jessica Sanchez, who makes her first appearance in this episode. Just as the club members are plotting something solid for regionals, the lights go out and everyone is left in the dark. Unlike other schools, class is going to continue in the midst of this blackout. Mr. Figgins informs the school via the PA that he won’t even be using it anymore because he needs to conserve energy for his back vibrator. Mr. Schue’s plan for stadium songs is caput now: instead, he vows the theme of the week as ‘unplugged.’

Jake talks to Ryder about ‘Katie’, who is still catfishing Ryder. Ryder reveals that he has shared things with ‘Katie’ that he has never shared with anyone else before, and Jake even seems a little wounded at Ryder’s reluctancy to dish. Back at their apartment, Kurt and Rachel stage something of an intervention with an aimless Santana, who now works inside a cage at a saucy joint. Kurt tries his hardest to get Santana to do something with herself to “make her motor rev” but according to Santana, that happens “every time I cage dance.”

Sam starts out the unplugged theme with “You’ve Lost that Lovin’ Feelin,’” a song he was apparently conceived to. Ryder randomly jumps in halfway through, and their voices sound heavenly together. Sam has found something new to strip down: his feelings. During the number, Artie is noticeably distracted and texting on his phone, and Sam calls him out about it once he has finished. Artie can’t follow up Sam’s performance because he “needs my synth.”

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Genre: Drama, Fantasy, Horror, Romance
Episode Name: She’s Come Undone
Air date: 5/2/2013
Summary: Damon and Stefan try a brutal new approach to provoke Elena into turning her humanity back on, and Caroline is frustrated when her attempt to intervene backfires. When Elena figures out a way to call the Salvatore brothers’ bluff, they call for backup from a surprising source. Matt gives Rebekah some unsolicited advice on her life choices, and she tries to help him in return. Caroline has a confusing and dangerous encounter with Klaus, and Katherine is suspicious when Bonnie makes her an offer that she promises will benefit them both.

We’ve all been nervously awaiting the appearance of this backdoor pilot episode for The Originals aka The Adventures of Klaus the Lonely Snowflake, and here it is. Taking a moment away from the tedious and troubling goings on back in Mystic Falls, we spend an hour in New Orleans with Klaus and Elijah (with Rebekah to join them soon), and it was pretty darn good. The Originals borrowed a few problems from its parent show but, by and large, this was a darker, more adult take on the world the exec producer Julie Plec and co. have already spent four years building.

I’m going to ignore the unnecessary bookends, which I thought took away some of the power of the self-contained episode at their centre, and it’s really nice to review an episode of The Vampire Diaries without dwelling on the various love triangles. The Originals won’t be trifling with such matters of the heart, for this is a show about family and the power that familial loyalty can offer you. We’re told that the original family built New Orleans many years ago but, with their father chasing them away at every turn, they had to leave soon after. In their absence, Klaus’ protégé, Marcel, took over as king of the castle.

Klaus has returned because of the tip Katherine left for him last week, and he soon discovers that Hayley is also there. It seems that their drunken one night stand has led to an unexpected consequence – Hayley is pregnant with Klaus’ child. Well done show – I didn’t think you could remind me more of Angel, but you managed it anyway. This is the element of The Originals (which has been picked up for series by The CW) that will cause most controversy with the fans, but it’s the issue around which the rest of the thematic elements are built. Elijah wants to rebuild the Mikaelson family, and a new baby would allow them to do that.

The dynamic between the two brothers was the most exciting thing about this episode, and it reminded me of a time when The Vampire Diaries was also about the broken bond between Damon and Stefan. Elijah and Klaus are a little more ‘mature’, since they’ve had endless eons to work out their differences, but it also means that they are, as individuals, more damaged. Elijah’s sensible words do eventually break through Klaus’ stubbornness, and their quiet mission-statement conversations are a real treat for fans of these characters. It makes you realise what a good idea shoving them off to a separate show really was.

And that mission statement is a war between two rulers – Marcel and his former mentor. This is bigger and grander than anything being handled in Mystic Falls, where the worst thing they have to deal with is who’s dating who, and hopefully sets us up for exciting things to come. Marcel is a fabulous baddie, possibly even more devilish than Klaus, and allows Klaus to be the sympathetic hero despite all the things he’s previously done. I naively thought that they’d have to change him fundamentally for this to happen, but it turns out that good writing trumps all. His journey will be an emotional one, with the promise of a family at the end.

The Originals even looks and sounds ever-so-slightly different from its predecessor, with an environment ruled by vampires and under the thumb of one particularly nasty character. I doubt that the series will be filmed in New Orleans once it really gets underway, but we can all dream. It still fits on The CW, with lots of pretty young people with perfect makeup and white teeth, but everything feels more disordered and dangerous than the high-school setting of Mystic Falls, still governed by human rules.

My only worry is that taking such strong characters away from The Vampire Diaries will cause more damage than they thought. There are a lot of fans who are invested in the Caroline/Klaus relationship, for example, and it’s unlikely that we’ll ever get a satisfying resolution to this now. The phone call at the end of the episode suggests that there will be story elements that carry over from show to show, but The Originals also has to stand on its own. If it is to work as well as Buffy and Angel did in their heyday, then both shows have to work without the other.